
Audio Engineering for Film 3
Mix
Chapters
- Module Audio Engineering for Film 3 – Introduction
- Sound Design Standards and Clichés
- The Grand Finale: The Mix
- Mixing: Preparation is Half the Battle
- Technical Considerations
- Technical Standards for Cinema, Broadcasting and Streaming
- Signal Flow and Routing a Film Mix in the DAW
- On Using Automation
- Listening Levels
- Mixing in Surround and 3D
- Workflow Optimisation: Routing Concepts
- Test Yourself!
- Premixes
- Recommendations for Planning the Premix
- Why Premixes? - Tasks and Goals
- The Dialogue/Location Sound Premix
- The Foley and Hard-FX Premix
- The Ambience and Effects Premix
- The Music Premix
- The Main Mix
- What is the Main Mix All About?
- How Does the Main Mix Work?
- The Final Steps: Mix Playback and Mastering
- The Print Master
- Compatible Mix Versions (Special Mixes)
- M&E Mix (IT)
- Summary
- Epilogue
- Recommended Reading
- Online Sound Archive
- Recommended Films
- Final task