Recording 8

Chapters

• Module Recording 8 – Introduction
• Important Aspects of Recording Acoustic Instruments
• Miking Acoustic Instruments
• Single and Direct Miking
• Multi Miking
• Specialized (Clip) Microphones
• Built-in Microphones/Pickups
• Recording Acoustic Stringed Instruments
• Preparation and Setup
• Miking of a Steel-String Acoustic Guitar: Mic Placement
• Directional Patterns
• Large and Small Room
• Combined Microphones / Stereo Miking/ "Pseudo Stereo"
• Microphone Selection
• Miking a Classical Guitar
• Recording Double Tracks with Acoustic Guitars
• Recording Acoustic Bass Instruments
• Acoustic Bass Guitar
• Contrabass/Double Bass
• Recording Individual Bowed Instruments
• Recording Violin and Viola
• Recording Cello and Double Bass
• Recording Grand Piano and Upright Piano
• Miking a Grand Piano
• Miking an Upright Piano
• Sound effects of different microphone setups
• Recording an Accordion
• Recording Single Wind Instruments
• Miking a Trumpet
• Miking a Trombone
• Miking a Saxophone
• Alto, Tenor and Baritone Saxophone
• Soprano saxophone
• Recording Further Reed Instruments
• Recording a Flute
• Test Yourself!