Recording 5

Chapters

• Modul Recording 5 – Introduction
• Over the Air into the DAW - the Signal Path
• Sound Source Voice
• Sound Conversion with Microphone & Preamp
• The Preamplified Voice with Room Sound
• A/D Conversion & Placement in the DAW Project
• The Microphone
• Setting Options on the Microphone
• Choosing the Right Microphone
• Microphone Types and Their Application in Vocal Recordings
• Condenser microphones
• Dynamic Microphones
• Ribbon Microphones
• Stage or Handheld Microphones
• Using Different Polar Patterns for Vocal Recordings
• All Around the Microphone
• Accessories
• Mic Screen / Reflexion Filter
• Preamplification of the Microphone Signal
• The Mic Preamp
• Tubes and Transistors in Mic Preamps
• The Significance of Preamps
• Signal Processing in the Recording Stage
• Preamps as Channel Strips
• Arguments for and Against Signal Processing During Recording
• Rooms for Vocal Recording
• The Recording Session
• Things and Stuff – Conceptual Preparation
• Monitoring for Vocal Recordings
• Latency in Vocal Recordings
• Technical Preparation of the Recording
• Positioning Mic and Singer
• Parallel Recording with Multiple Microphones
• The Recording Level
• Recording Modes for Vocal Recordings – Pre-Roll, Punch-In & Loop-Record
• Handling a Recording Session
• Evaluation of the Takes and Completing the Recording
• Special Cases of Vocal Recording
• Recording Rap Vocals
• Recording Guttural Vocals - Growling, Grunting, Screaming & co.
• Beatboxing
• Test Yourself!