Mixing 2

Chapters

• Module Mixing 2 – Introduction
• Processing Frequencies
• Listening and Evaluating
• Exercise Detecting Frequency Processing
• Solution Exercise Frequency Processing
• Reasons for Frequency Processing
• Mixes and Frequencies
• Ear Training
• The Equalizer
• Equalizers in the Studio
• The Design of an Equalizer
• Filter Types I
• Pass Filter
• Sound Examples Pass Filter
• Bell or Peak Filter
• Sound Examples Bell Filter
• Shelving Filter
• Sound Examples Shelving Filter
• Notch Filter
• Module Mixing 2 – Intermediate Exercise Filter & EQ
• Solution to the Intermediate Exercise
• EQ Variants
• Parametric EQs
• Semi-parametric EQ
• Fully Parametric EQs
• Other Types
• Equalizers as Plugins
• Using EQs
• The "How and Why" in Using EQs
• Practical Applications
• EQing of an Acoustic Bass Drum
• EQing of an Electronic Bass Drum
• EQing of a Bass Guitar
• EQing of an Acoustic Guitar
• EQing of Vocals
• Ear Training
• Mixing Starts Before the Mix
• Spectral Balance
• Drums and Bass Guitar
• Drums, Bass, Instruments
• Bass, Instruments, Vocals
• Exercise EQing Bass Drum, Bass, Guitar
• Solution to the Exercise EQing
• Spaciousness in the Mix – Getting Started
• Reverberation in Rooms
• Signal Flow 2 – The Send
• Reverb with an Effect
• Reverb and Positioning in the Mix
• Exercise Reverberation
• Example Solution Reverb
• Test Yourself!
• Module Mixing 2 – Practical Assignment