Live Sound Engineering 3

Chapters

• Welcome
• Digital Mixing Consoles
• Selections & Channels
• Layers & Menus
• Connections & Stage Box
• Digital Workflow
• Remote-controlled Mixing
• Mixing with Plugins
• Planning a Production
• Practical Aspects of Miking Instruments for a Band
• Practical Aspects of Miking Vocals for a Band
• Working with Very Quiet Vocals
• Patch and Console Channel Plan
• Solution
• Setting up the Stage
• Exercise – Preparing a scene for a digital mixer
• Possible solution – Preparing a scene for a digital mixer
• Soundcheck – Architecture of a Live Production
• Line Check
• Soundcheck
• Levelling the Signals 
• Soundcheck
• Virtual Soundcheck
• From Sound Check to the Show 
• Ergonomics of a Mixing Console
• Troubleshooting with the Artists
• Mixing FoH
• Mind the Frequency Ranges
• Compression & Group Compression
• Panorama
• Reverb and Depth
• Eyes open, Ears open!
• PA & Fills
• Exercise FOH mix
• Solution
• Mixing Monitors
• Monitor Set-up
• Checking Monitors and Ringing Them Out
• Communication & Talkback
• Monitor Soundcheck 
• Channel Splits 
• Dynamics & Reverb
• Click-Tracks and Playback
• Stage Volume
• During the Show
• In-Ear-Monitoring
• Live Recording
• Stereo Recording and small Multitrack Recordings
• Multitrack Recording
• Recording Media
• Test Yourself!
• Event Technology | Event Security
• Trusses
• Loads Over People
• Lifting Means
• Venue Regulations
• Advanced Topics
• Immersive Audio
• KLANG In-Ear Monitoring
• Communication & Intercom
• Playback Rigs & Autotune
• Interviews
• Sascha Kohl
• David Hefti
• Claudio Jans
• Module Live Sound Engineering 3 - Practical Assignment
• Practical Exam A – Planning
• Practical Exam B – FOH Mix
• Theoretical Exam
• Bibliography